Maurice Verheul: cтатьи

Новости 6

Статьи 19

30 ноября 2020, Статья
Alida N1 songs of Awareness for Mezzo soprano and piano: Preface: The Alidas are songs that reflect my perception of our contemporary society anno 2020. I have to do this because I want later generations to know through Art what an individual, I see, feels, experiences, hears in this. I do not want this time to be described as a Dystopia or a Utopia but merely as an era, a world, of birth and death in the figurative sense of creating and breaking down to make way for something better. I see this time as a birth to something new and as almost all births ...; 16 января 2020, Статья
A fictitious interview with Maurice Verheul by Almire Curve-Hue Journalist for: Is there Anything to Live for Magazine: 1a. Tell something about yourself. My name is Maurice Verheul, born 1964-09-29 in the Centre of Amsterdam: Noorderstraat. I am the son of Eugene Verheul and Ria van Bergen. I had a very troubled youth with all sorts of schools, a difficult household with a father with lots of mental problems due to his childhood (abuse, neglect etc). Due to his mental problems and resulting unable to raise a child other than an iron will to say what is right and wrong; his raising a child was a ...; 24 мая 2018, Статья
The Analysis of the Bozolo fanatsia No.2: Bozolo Fantasy No.2 introduction · This is the second Bozolo fantasia and the second dedication to my good friend Riccardo Bozolo which I consider one of the most promising pianists of this moment. This work differs from the other fantasia because of the use of melodic material from his name: RiCCARDo Bozolo. · In a way you can speak of serial music; I use series build on RiCCARDo B which I translate in to notes: D# C C A D C ...; 15 сентября 2015, Статья
/somextro.com/: Société des musiciens extraordinaires The “Scociété des musiciens extraordinaires” intends to create a possibility for musicians to present new classical compositions either by performing for eachother or discussing the new works with members of the society. A group of invitees will meet regularly, building a network of musicians that gives more thought to the new classical music. We would very much like to see that this music gets the recognition`it deserves, next to the current classical ...; 02 сентября 2013, Статья
Faulx bourdon: Faulx bourdon inleiding; Je moet weten dat de meerstemmigheid zoals wij die kennen in west europa is voort gekomen uit het musiceren in parallelle intervallen. De oorzaak daarvan is terug te voeren tot de Griekse en Romeinse oudheid. De orgels die in de theaters werden gebruikt waren voorzien van mixturen waardoor de melodie in parallellie ten uitvoer werd gebracht. Waarom? Om tijdens een openluchtuitvoering de klank van het instrument meer draagkracht te geven en andere oorzaak ...; 16 апреля 2013, Статья
The Fifth piano sonata: The Fifth piano sonata Soon I will up load my Fifth piano sonata This sonata has a total time 0f 5 hour and 28 minutes (maybe more)!! At my knowledge this will be the largest, biggest and most difficult sonata in classical form there is. Around 6500 measures of extreme, complex, finger breaking and mind puzzling piano hardness! Please Musicaneo make an exaptation and give me more storage than the normal 20 Mb; 22 января 2013, Статья
Score cataloque Part 2: Haiku No.35 for male choir, MVWV 456 Haiku No.36 for male choir, MVWV 457 Haiku No.37 for male choir, MVWV 458 Haiku No.38 for male choir, MVWV 459 Haiku No.39 for male choir, MVWV 460 Haiku No.40 for male choir, MVWV 461 Haiku No.41 for male choir, MVWV 462 Haiku No.42 for male choir, MVWV 463 Haiku No.43 for male choir, MVWV 464 Haiku No.44 for ...; 22 января 2013, Статья
Score cataloque Part 1: Facies tantum est, Oratorium MVWV 9 String quartet No.1 MVWV 23 Flute Quartet (four Flutes), MVWV 35 Cello suite No.1, MVWV 36 Song for Soprano and piano No.2 on a poem of Leconte de Lisle, MVWV 37 Song for Soprano, Violin and Cello on a poem of Leon Montenaeken, MVWV 38 Song for Soprano, Cello and piano on a poem of Max Waller, MVWV 39 Song for Soprano and piano No.5 on a ...; 21 мая 2012, Статья
Accusing finger pointed at today's mediocre pianists: What strikes me most in recent years in Holland (and maybe it’s the same all around the world for all I know) is that, for the most part, only the old recognized masters are performed by today's pianists - and by old masters I mean such figures as Bach, Beethoven, Brahms, Chopin, Liszt, Debussy and to a lesser extent Schönberg, Stravinsky and Messiaen. Performances of more “modern” works by post 1950 composers are virtually non-existant. Why is this? Why are the works ...

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